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Gilot on Paper

Opening September 11, 2025

Chariots of Fire (Chars incandescents), 1991–1992

Chariots of Fire (Chars incandescents), 1991–1992
Color lithograph
18 x 24 in.
45.7 x 61 cm

Equanimity, 1989

Equanimity, 1989
Monotype
30 x 44 in.
76.2 x 111.8 cm

Early Sunrise, 1984

Early Sunrise, 1984
Gouache on paper
22 x 30 in.
55 x 76 cm

Ancestral Forest, 1989

Ancestral Forest, 1989
Monotype
43 x 29 in.
109.2 x 73.7 cm

Les Mains, 1954

Les Mains, 1954
Crayon on paper
20 x 26 in.
50.8 x 66 cm

Genealogies, 1989

Genealogies, 1989
Monotype
41 x 29 in.
104 x 74 cm

Flower Shield (Bouclier floral), 1975

Flower Shield (Bouclier floral), 1975
Color lithograph
22 x 22.5 in.
56 x 57 cm

Ivy, 1942

Ivy, 1942
Graphite and ink on paper
11.8 x 8.9 in.
30 x 22.5 cm

Ivy Leaves and Fruits, 1942

Ivy Leaves and Fruits, 1942
Graphite and ink on paper
11.8 x 8.9 in.
30 x 22.5 cm

Arvor, 1986

Arvor, 1986
Monotype
30.3 x 44.1 in.
112 x 77 cm

Self-Portrait in Front of Landscape, 1971

Self-Portrait in Front of Landscape, 1971
India ink on paper
26 x 20.1 in.
66 x 51 cm

Press Release

Rosenberg & Co. is pleased to announce Gilot on Paper, the gallery’s third solo presentation on Françoise Gilot. This focused exhibition brings together works on paper that span the breadth of Gilot’s illustrious eight-decade career.

Born in Neuilly-sur-Seine in 1921, Françoise Gilot chose a life in art over a career in law, studying with Endre Rozsda and at the Académie Julian before gaining early recognition in the Paris art scene. In 1950, Gilot became the first woman to create lithographs at Fernand Mourlot’s atelier, working alongside some of the most celebrated artists of the twentieth century. Her passion for printmaking would become a defining aspect of her practice.

Throughout her life, Gilot was a tireless innovator. From her early graphite drawings and gouaches of the 1940s, to the figurative and abstract explorations of her mature years, she had a consistent clarity of vision and a bold command of materials. In the 1960s and 1970s, she exhibited widely across the United States, eventually establishing studios in New York and California. 

The exhibition includes vibrant monotypes, which were produced in close collaboration with master printer Judith Solodkin at SOLO Impression Inc., the groundbreaking New York print studio that Gilot began working with in the 1980s. This partnership marked a vital new phase in Gilot’s printmaking.

Gilot on Paper traces Gilot’s lifelong dedication to the medium of paper. Whether through the immediacy of a gouache, the confidence of linework in her portraiture, or the layered nuance of a monotype, each piece reflects her deep commitment to artistic experimentation and the development of a personal, visual language.